“My
role is all about filling out the harmonic structure. It’s
the solid stuff that rounds out the harmony. I like
to sit in the pocket and make sure that the song is there.
Sometimes people are just jamming and you tend to get away
from the original record. I try to keep everyone back
in the song.”
Music or science and math? This was the lifelong dilemma
for keyboardist, Rodney Lee, but this talented musician/producer
has managed to forge a life that incorporates his love of both.
Although born into a military family that
moved around every four years, Rodney Lee has always had music
surrounding him. His
life started out in Alabama, but Rodney considers Texas his
home. “My father was in the Air Force and we moved
around a lot. I lived in Alabama only for my first three
months, but consider Austin, Texas my true home since I went
to high school there.” His love of music began
with his Dad. “Dad was really into jazz,” notes
Rodney. “There was always music in the house, so
the music he was bringing home was probably my first inspiration. Herbie
Hancock, Chick Corea and Joe Sample were probably my earliest
influences.” A piano was always in the Lee household
also. His mother played it a little, but nothing professionally. Rodney
tinkered with the piano, but had to stop when the family was
relocated to Japan for four years and there was a weight limit
on possessions you could bring. The piano had to be left
behind.
Upon returning, Rodney began to take piano lessons. He
had several teachers that he worked with in the beginning,
but after settling in Texas, happened upon a teacher named
Mark Mardy who was really instrumental in getting him interested
in jazz. The love of music continued throughout high
school and Rodney played in some local bands, but he also had
an incredible aptitude for science and math. “Coming
out of high school in Texas, I went to University of Texas/Austin
as a music major and studied applied organ, which is classical
pipe organ. I did that for a year and then started seeing
musicians graduating and not having jobs. I never saw
myself playing at a Catholic church and directing the choir,
and I had enough insight to know I wasn’t a prodigy. And
I had always been good at math and interested in the sciences,
so I decided that if I was going to go to college and spend
all of my parents’ money, I should do something I could
get a job with!” So Rodney switched from being
a music major to electrical engineering, dropped out of the
music school and enrolled in the engineering school.
How did this electrical engineer end up playing
in the pop, R&B, and smooth jazz world? Well, after
he graduated and worked for fours years as a chip designer
for Bell Laboratories, some of his friends from a college cover
band he had been in called and asked him to come to California
with them. “So
I called my Dad and told him that I was going to quit my job
and move to L.A. I gave myself two years to make it or
not and now I’ve been out here for 15 years! And
every year or so, I re-evaluate where I am and if I still love
it.” So far, his decision has been a successful
one, but Rodney also continued his education and received his
Masters’ Degree in Electrical Engineering from UC Berkeley.
When Rodney got to L.A., one of his friends had already made
some great contacts in the R&B world. Rodney met
a lot of people. “I did a bunch of touring, played
with Chante Moore and got hooked up in that click. My
circle of people started expanding.” Rodney was
hooked up with a straight-ahead jazz band, and through that
connection met Chris Standring. He and Chris hit it off
as friends almost immediately and started working together. Since
that time, Rodney has written, produced, and performed with
Chris Standring. The relationship with Mindi Abair soon
followed after Mindi worked a few times with Chris Standring,
playing sax on some of his songs. She was still an up-and-comer,
but soon landed a record deal and called on her friend, Rodney. Mindi
says of Rodney, “Rodney is such a talent and I feel incredibly
lucky to have him in my band. He makes everyone he plays
with sound good. He has such an ear for sounds and subtleties
that just make a song. He's an incredible player,
as we all know. He scores movies, co-writes with and has produced
all of Chris Standring's CDs. He’s amazing.”
When Rodney isn’t touring with Mindi
Abair or Chris Standring’s band, he serves as the musical
director for Jody Watley, a role that has now lasted for six
of the 13 years he has played with her. He is also very
busy focusing on his solo career. His 2003 release, Alien
Chatter, received terrific reviews. It’s
classified as electronica meets world music. His latest
venture is The Satellite Orchestra,
released this year. Rodney moves into some new areas
with sound and production on this CD.
And when not playing or producing his music, Rodney can be
found hiking or returning to his science roots. His
former life as a chip designer and lover of science has turned
into his new hobby. He has gotten into researching whether
or not the planet is running out of oil, is an avid reader,
and is writing a science fiction novel.
So the next time you see Rodney out on the road, sitting behind
the keyboards, creating new music, and jamming with some of
your favorite smooth jazz artists, remember that the chip inside
any one of the electrical products you use could have also
been developed by this humble, renaissance man.
For more information on Rodney and his music, be sure to visit
his website at www.rodneylee.net.
- Bonnie Schendell |