“How Ya Like Me Now” kicks it off with an nice
up tempo number that keeps the beat going through out and is
flavored by the sax of Katisse Buckingham. The horns
play off Matt’s guitar nicely. I think this is one you’re
going to be hearing a lot of in the coming months. A great
play on words since it really shows how much this artist has
grown as both a musician and writer. “I Will Be
With You” begins with a constant drum beat giving way
to Marshak’s guitar. His tone here is as polished as
it is in his live shows. Once again, he adds a touch of sax
with guest artist Shilts on board for the fun. Nice keys by
Kevin Flournoy keep this one moving to a really nice ending
by the three of them. Matt takes us “Uptown” next
as the beat slows somewhat and becomes quite deliberate in
its delivery. Mario Cruz adds both flute and sax to the
mix while keeping the club feel to it. He and Matt close this
one out with some really good licks. Playing off of some really
cool syncopation, “Family Funktion” is really fun
to listen to with some beats that will take you by surprise.
Add in a great bass line and keys, you’ll be trying to
get this one down pretty quickly. This is a great title track
and is one you’ll be hitting the replay button on.
“Great Soul” begins quite differently than most
of Marshak’s tunes. His guitar here is the “soul” of
the work and it plays off the constant back beat and occasional
vocals that you hear in the chorus. The sudden ending makes
you want for more. “Seduction” sounds like a good
one to start a show with. It’s nice, slow, and showcases
Matt’s talents. His guitar here has more of a Montgomery
feel to it, and there’s no hurry to finish this one any
time soon. I’m guessing “Gas Lamp Groove” was
written with San Diego in mind. You can’t visit the city
without a stop in the Gas Lamp district. This one moves along
quite nicely with a good groove to spur on Matt’s guitar.
It is hard to believe there are only two of them playing here.
Franklin (Six Bones) Brown helps with the writing as well as
the instrumentation. A favorite has to be “Gratitude.” It
sounds both fresh and upbeat in the delivery. Written by keyboardist
Rodney Williams, they bring in a little bit of David Mann’s
sax to spice things up. “We Gonna Make It” is
a Marshak penned tune that is simple while showcasing his abilities
on guitar. “Get To Know You” has some nice back
claps throughout with added vocals of Kenny Harris. Matt’s
guitar here is a little more of the “wha wha” variety
and is a nice change of pace. He writes of his home area of “Long
Island” with a brushed snare and acoustic opening. Dean
Kraus’ organ gives this one some real strength as they
play together throughout. I like this one a lot, and it shows
just how far Marshak has come in his writing abilities. The
last track is strictly Matt on “What Would Have Been.” It’s
entirely reflective and a nice one to finish on.
I have to be impressed with the latest offering of this popular
guitarist. He continues to grow both as a writer and a musician.
The addition of both horns and vocals here only add to a very
sound repertoire on this release. He is out on the road quite
a bit, so be sure to check him out when he’s in your
town.
|