Jason Weber is a busy guy. In addition to his solo
career, he's an in-demand session artist - appearing on numerous
albums by artists including: Steve Ferrone, Morris Pleasure,
Patrick Yandall, Will Sumner, Deborah Flores, Richard Samuels,
and Michael Rosati & Del Bennett/Chris Kringel among others. He
has also opened for Bobby Caldwell, Boney James, Richard Elliot,
Kirk Whalum, Gerald Albright, Everette Harp, Brian Auger, Alex
Ligertwood, Robert & Dean Deleo (Stone Temple Pilots),
Brandon Fields and Steve Ferrone.
The first time I heard Jason Weber play was sometime back in
2002 while I was working with The Jazz Nation.
Something
Blue crossed my desk; I popped it in my CD player
and was so impressed with it that I reviewed it right away. I
also checked out Jason's other CDs, and he became one of my
favorite saxmen. I recently reconnected with Jason on
Facebook and found out about his latest project,
Five – his
fifth solo album – and couldn't wait to get my hands
on it. I was not disappointed.
In a time when many artists are still "playing it safe" with
their musical selections,
Five is
nothing less than bold. Weber treats his listener to
a wide range of styles – from smooth, to funky, to contemporary
and straight-ahead. Nine of the twelve tracks on
Five were
written or co-written by Weber. Did I mention that this
album is bold? The three cover tracks? "Europa" – a
signature Gato Barbieri tune written by Carlos Santana – you
have to be gutsy to even think about covering that. But
Weber does, and he does it well, bringing his own interpretation
to it, while staying true to the original. Then there
is the pop classic "You Gotta Be," which starts out
a fairly straight rendition, but ends up packing a big emotional
punch. The third cover is of Madonna's "La Isla
Bonita." Weber brings this 80s hit into the 21st
Century, speeding it up a little, smoothing it out a tad – you
will want
to get up and dance.
Five opens up with "U Know U Like It," a
smooth, but upbeat track with a nice punch at the end. "For The
Children" is a great showcase for Weber's sweet and mellow tenor sax skills. "Snapshot" is
a soulful blend of straight-ahead elements, yet remaining melodic enough not
to scare away "smooth" listeners. "Some Day" – one
of my favorite tracks – is a beautiful ballad offered up as only a tenor
sax can. "Mysterious Circumstances" is another highlight of
the album - contemporary jazz at its best.
The title track is a fun, funky tune, followed by a brief,
ethereal "Interlude" that seamlessly leads into "Europa." Jason
gives us a touch of Eastern Indian, Native American meets contemporary
jazz with "Mantra." And closing things out
is "D-Funked" – edgy, funk-jazz that breaks
out into a hard rock guitar improv. This track along
with the rest of
Five leaves no doubt
that Jason Weber can stand up and play with the best of them.
Check out Jason's website:
www.jasonweber.net.