The
Birchmere
Alexandria, VA
October 17, 2005
What a night to get your groove on! A
solo show featuring Richard Elliot took place at The Birchmere
in Alexandria, VA. The
full house was ready for a fast-paced, funky show, and Richard
and his band easily delivered. The band included Nate
Phillips (bass), Dwight Sills (guitar), Ron Reinhardt (keys)
and Herman “Peanut” Johnson (drums).
From the very
first note of “Crush,” the crowd
was pumped and out of their seats. Richard is one of
the most energetic sax players out there. He is all over
the stage offering up a give-and-take with Dwight Sills and
Ron Reinhardt. After the last note, there was a standing
ovation that seemed to take Richard by surprise.
Next up were
a couple of tunes from his new CD, Metro
Blue. “Inside Out” is
a very cool song with an upbeat tempo. “Camella,” written
for Richard’s wife, was a little softer, but had
a terrific back and forth battle with Dwight Sills on guitar.
“Corner
Pocket” and “Who” from Chill
Factor followed. Ron Reinhardt provided
a funky keyboard intro that sounded like an electric guitar. The
audience was really into this show and with all of the
kickin’ songs, they showed their appreciation. Richard
told us that “you have to pace your freak.” You
have to spread those rockin’ tunes out so there’s
balance. He then went into “People Make the
World Go Round” where, at one point, he was down
on his knees, making the sax “purr.” Ron
Reinhardt gave a keyboard solo that had folks stunned.
Another
slower song was Richard’s cover of “Your
Secret Love” from the tribute CD, Forever,
For Always, For Luther. He stated that
this track had the “highest goosebump factor!” The
crowd loved it.
Richard followed with “Sly” (from Ricochet)
where Nate Phillips had an amazing bass solo and then went
into a medley of “I Wanna Take You Higher,” “Thank
You for Letting Me Be Myself Again,” and “Sing
a Simple Song.” Herman “Peanut” Johnson
gave the crowd a taste of his drum expertise with an outstanding
solo.
The final song always makes crowd hold their breath, and
this was no exception. I don’t think anyone plays “When
A Man Loves A Woman” like Richard Elliot. The emotion
put into that song is like no other ever heard. And it’s
not just the musical emotion. Richard puts his whole
body into that song. Just when we thought the show was
over, an encore of “Function at the Junction” was
played. The crowd was in dancing mode and didn’t
want it to end. This was a terrific, ultra-high energy
show that was truly one of the best seen this year.
-
Bonnie Schendell
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