We caught up with Nick Colionne at his studio just before
he hits the road, touring and promoting his new CD No
Limits. In stores July 8, 2008,
from Koch
Records
SV: Welcome back to SmoothViews. We
congratulate you on the new album No
Limits and on your new record label situation. A
lot of artists don’t have record labels anymore.
NC: Yeah, I was fortunate. I’m
real happy Koch picked me up. Several record companies
were contacting me! I had never been in that position before
where I had three record companies at one time trying to
sign me. I could have gotten crazy and said, “It’s
good to be the king.” But you know, I got on
my knees and started thanking my Maker. “Every time
a door closes, God, you say you’ll open another one,
and you did!” He’s opening doors for me
and I want you to know that I appreciate it. I know
I’m not doing this by myself. A lot of people
think that they’re controlling it. I learned
from the Just Come On In record,
when “High Flyin’ ” was out, so many interviews
I did and people would ask me when that record came out,
when “High Flyin’ ” came out, “So
what do you think you did different this time that this record
clicked so much?” I said, “I got out of
God’s way.” Very truthfully, I got out
of the studio around 11 o’clock at night. The
final mixes, I had everything in my hand. I came down the
elevator, and walked out to get a cab, and I was standing
waiting for a cab. I looked up at the sky and I said, “God,
whatever you choose to do with this record, that’s
what’s going to happen. I did the plan. I played
the music you put in my heart. I leave it up to you to do
what it’s going to do.” And He did it. My
Grandmother used to say, “You’ve got to get out
of God’s way.” And that’s what happened. You
know, people pray all the time. The main thing in the Lord’s
Prayer is “Thy will be done.” Thy will
can’t be done if you keep doing it! (laughs) And
so I feel that to be able to play music is a gift. Not
to do it is a sin; because if you’ve got the gift,
you’re supposed to share it. That’s why
He gave it to you, to share it with other people. And
so I try to share the gift. I try to be the best person
that I can be all the time. I want to be the best musician
I can be, but first of all, I want to be the best person
that I can be. I want to be a person that, if somebody
doesn’t like a song of mine, they would still say “He’s
a good guy.” It might not be enough for them
to buy my record, but to walk away with the attitude that “He’s
a good guy. He’s for real and everything he does comes
from the heart.” I don’t like to just spit
stuff out at people that I don’t mean. I’m telling
them what I’m feeling. So many people say to
me “You know, you’re so funny when you’re
on stage!” I’m not trying to be funny. I’m
just saying what’s on my mind. The band members
say, “You’re about one crazy dude. That’s
some of the craziest stuff.” That’s what’s
on my mind, then that’s what I say. If it happens to
be funny, most of the time people are laughing. Hard to believe,
but sometimes it isn’t funny to me, I’m serious!!
SV: What you just said, it hits home. The
secret of life is having enough humility and willingness
to let go and allow God to work in our lives. It’s
so simple. But it’s so hard to do sometimes. As
long as we keep trying, that’s what counts.
NC: We have free will. We’re
beings with free will. We tend to want to be the masters
of our own destiny. Sometimes that can be messing us
up. Half the time, I don’t even know who I am
when I wake up!! (laughs) Until I look in the mirror, then
I know “Oh! It’s you!” (laughing)
SV: You make a career in music look so easy. From
jam sessions, performances, working with the students,
to doing Epiphone workshops. It’s impressive - all
that you’re doing! All this love in action
must be helping to shape the music that comes out of you.
This new record is superb!
NC: I’m glad you like it…because
it was kind of scary. (laughs) Just Come On In with “High
Flyin’ ” was such a cool record. I was a little
nervous when it came to Keepin’ It Cool. It
was well received. OK, so now what am I going to do?! That
was the question…what will I do now? I sat down and
said “There are no limits to what you can do if you
put your mind to it!” Henceforth the title, No
Limits. I didn’t want to make a
record that had continuity and flow but was just the same
thing over and over and over again. I wanted a record that
when people put it on they could leave it on. You know,
they want a vocal song? There is a vocal song, and something
uptempo, something to slow down. Kind of like you do
a live show.
SV: That’s a really good analogy.
NC: You don’t want to keep your
music at one continuous pace all the time. You go different
places. I tried to experiment with some different genres,
some different grooves from different genres. It worked
out. (laughs)
SV: I’ll say! There’s a track
on the new record that has really captured my attention. I
think it could be a very big hit. Your vocals are
so impressive on “Melting Into You”. Oh
My! It is so hot I have to fan myself.
NC: It was a rough one.
SV: How so?
NC: I have Jim Peterik to thank for
producing me on that vocal. I did two or three takes
and he says “OK, let’s come on. Let’s do
this!” So, I go “OK.” I like the way he
produces because he just lets me do my thing and then he’ll
say “Hey, why don’t you do that again. I
think you got a better one in you.” (laughs)
SV: How did you hook up with Jim?
NC: I met Jim Peterik at Jazz
on the Vine last year at the show. He came up the
CD line. He was talking with me and he said, “You
know, we should get together and write something.” And
I went over to his house and we’ve written about six
or seven songs together. I put two on this particular
project “Melting Into You” and “Hardline.” He
said, “Why don’t you do this one and that one!” I
said, “Man, I’m already doing three vocals. People
will start thinking I’m a singer!” (laughs) I’m
going to go with three and we’ll call it a day. We’ll
save some. Maybe the next record I might put 4 vocals
on! (laughs)
SV: (laughing) You’ve got almost half
the next record done already!
NC: Yeah! Four in already!
SV: In your live shows, I’ve seen
people that love to hear you sing. So, yeah! More
vocals!!!
NC: I’m starting to get more
comfortable with vocals. I wasn’t real comfortable
for a long time, you know. I’d do a song or two
here or there. “Rainy Night in Georgia” was my
signature song.
SV: Well, you’ve got a new one…it’s
called “Melting Into You.” (laughs) Your live
shows are so enthralling, full of passion and fun. Anytime
people get to be around you, they get to experience all
that. You have so many fans all over the place. I
saw the picture in the newsletter of your recent San Diego
show. It’s a picture you took from the stage
looking back down the street. It is packed with people.
That is really impressive that you can draw huge crowds
and sell your music all the way down the block.
NC: That was fun. I went out
into the audience; next thing I know is I was engulfed in
people. My mind said, “Hmmm, was this a good
idea?” but people are always cool. The band lost me. They
couldn’t see me. “Where’s he at?!” I’m
waving my hand in the air. Then, they go “OK,
there he is, the man with the hat on, right there!” (laughs)
I like going out into the crowd. Basically, I just
really like people. I like intermingling with people whether
it be on stage or in my personal life. I like being
with people. You know, I can’t get into that
stand-off-ish kind of thing, because when it is all said
and done, I’m still Nick Colionne from the west side
of Chicago. I haven’t changed, you know. I’ve
got some records playing on the radio, and that’s about
it! I’m still the same cat. (laughs)
SV: You are so down to earth and caring. I’m
sure the kids at school adore you. You must have so much
fun working with the students.
NC: Yeah, they think I’m one
of them! (laughs) I have so much fun at school with
the kids, going on field trips and stuff. We went to
the baseball game, one of the end-of-the-year field trips.
And they know I’m going to do the same thing. They
are 7th and 8th graders. The 8th graders this year
were 7th graders last year. And they know my M.O. It
was a nice day; it was breezy. We’re sitting
out watching the game. They know I’m going to
get a bunch of food first. Then I sit down, I put my sun
glasses on. A few minutes later, I get a tap on the
back. “You’re asleep, aren’t you,
Nick?! (laughs) Last year, you slept too.” (laughs) I
need that baseball game to get my rest. (laughs) I
wake up every couple of innings and ask “What’s
happening?” then go back to sleep. The kids
will say “We want to go get something to eat.” I’ll
be thinking “Why you want to eat right in the middle
of my nap?” I have to get up and walk down there to
get something. They like to spend out of my pocket. “I
want to get this!” “I want to get that!” I’ll
say, “Go on and get it so I can get back to my seat
and continue what I was doing because that was important.” (laughs) It’s
always fun. It’s a little sad because at the
end of the year, I watch them graduate. I’ve been at
the school 12 years; I’ve known a majority of these
kids since preschool. I watched them come from preschool
all the way to 8th grade and graduate. I’m looking
at them saying, “Man, they’re getting old!” (laughs)
I’m not! (laughs) It gets a little sad. I find
myself getting a little weepy at graduation. So I just
walk outside, then come back in and look cool. I have so
much fun doing that. During the summer, I get a bunch
of kids together and we go fishing. Now, that’s
fun!
SV: There was a great picture of the Fox
River in your last newsletter. It’s a big, beautiful
river.
NC: Yeah. Every time I go past
the Fox River, I always look at it and say “This is
MY river! I own this river!” (laughs)
SV: Have you been by since the big rains?
NC: No, I haven’t been by there
since all the big storms. I was supposed to be going
out there this weekend but they got a lot of flooding where
I was going. One of my buddies lives right on the Fox.
He’s my fishing partner. Matter of fact, I took that
picture right in front of his house, from his dock. The
Fox River is his back yard.
SV: Did his dock and house survive the
flood?
NC: Yeah, he’s still good. It
hasn’t come down that far yet. There’s more rain
tonight. Hmmm. But I did go fishing yesterday.
SV: Ah, good!
NC: I just went to the forest preserve
called Busse Woods and caught a few up there, came in and
called it a day.
SV: What are you catching?
NC: Yesterday, I caught a big ol’ bass. That’s
about the biggest bass I ever caught! I was trying
to catch some catfish, but they were very elusive yesterday.
(laughs) I had a record day for myself - I went out to Shabbona
State Park down in DeKalb County last weekend. It was so foggy
out there. They would let us get the boats out on the water
for awhile; then they wouldn’t let us go any farther,
only just along the shoreline. But when I got out there,
the fish were hitting - fast and heavy! (smiling) Good! Then
the sun came out and they stopped!! (laughs) I was
too dumb to come in! I stayed out there until 6:30
at night!
SV: There’s something about being
in a boat on the water, whether you’re catching fish
or not. You’ve got a line in the water. There’s
always hope and the fun of anticipation.
NC: Yeah! You’ll feel
a little tug…then, oh man, it’s just a snag. I
love fishing! I do a lot of catch-and-release fishing. I
don’t take anything that I’m not going to eat. If
I’m not going to eat it, it’s going back. I’ve
had some really good fish frys! (laughs)
SV: Looking at your music career and your life,
it sounds like you’re living your dream. Are
you happy with the way things are going?
NC: I’m very happy. I could
always be happier. (laughs) I’m working a lot. I
am thankful to God for providing me the work. I could
use some more because I love being out there. I’m
working steady. Getting out there, meeting people,
playing music for them, enjoying that, enjoying time with
the band, hanging out. Hanging out with different people
in different places. In San Diego, I had such a great
time. They had a VIP party and asked me to come by. I
talked to a whole lot of people who were at the show. It’s
always good to find out what people are feeling about what
you did. Sometimes, I’ll feel like I’ve
had a really bad day. I’ll walk off the stage, “Man,
I wasn’t playing too well today.” Then somebody
will come up and say, “That was the greatest I’ve
ever heard you play!!!” I think I sounded awful
and they say, “Man, you were great today. I’ve
seen you a thousand times this was the best ever.” OK. Maybe
I’m not a good judge. (smiles) It’s all
about how you feel. Being out there with the people
makes me feel good. If people know that you have love
for them, they’ll return that. It’s like with
kids, they can feel whether or not you’re loving it
and you’re loving them. Hopefully, people know when
I’m out there that I love being out there! I love playing.
There’s nothing else I’d rather be doing. I don’t
go on the stage thinking, “Gee, I wish I was home swimming.” (laughs) This
is what I want to do. If I had the energy, I’d
do it all day, every day. I love playing the guitar. I
laugh a lot on stage. People ask “What are you
laughing at?!” Sometimes, I’ll just be
laughing at myself! “Hmmm. Did I just play that?” It
cracks me up.
SV: Do you play every day? When you’re
not performing, do you practice at home?
NC: Yes, just about every day. For
about three days last week, I didn’t play. I
was out messing around and working on my house. And
then I went to do a clinic. I could tell that I hadn’t
played in two or three days. “Hmmm, fingers feel a
little stiff here! (laughs) Well, back to the drawing board,
no more hammering.”
SV: Tell me about your gig at San Lucia.
NC: It was Najee, Alex Bugnon, Ledisi
and me. That was a really great day to me because I had never
played with Alex Bugnon. I had never played with Ledisi. I
had never played with Najee. We came together a day ahead
of time and rehearsed, went over some songs. Then,
it was “OK, let’s go do this!” And
everybody felt good about what we were doing. We got
to feed off each other and it was total fun. I was
thinking “Man, I wish we had another half hour on the
stage.” But we had to move so Anita Baker could
come out.
SV: You’ve played with some greats
in your life time. You’ve been on the stage with
Natalie Cole, Al Green, The Chi-lites, The Impressions,
Curtis Mayfield, and The Staple Singers.
NC: Yeah, from those early years of playing
with the Staple Singers, I learned so much about who I am
musically as a person. I’ve learned from being
with them. Pop Staples was a good role model. People
ask me a lot why I dress the way I do. I learned that
early. Pops told me “You’re in the entertainment
business. You just can’t go out there looking
any kind of way.” I always thought that as I
grew older, my philosophy was that people deserve to see
me look my best. I was telling someone else, “If
people want to see construction workers, they go to a construction
site. They don’t come to see a musician look
like a construction worker.” Watch all the old
shows on TV; you see The Temptations. Man, they were dressed
to the nines! Well, this is the way I want to present
myself. When people look at me, I want them to say he did
take time to come looking decently. And as my Mother
says, “People see you before they hear you.” They
see you walk on to the stage before you play a note. Try
to grab their attention when you first walk out there. OK,
he must be about something. He did put on a suit. (laughs) He
came for business.
SV: How cool is it that Stacy Adams sponsors
you! They really get what you’re about.
NC: The new vice president, Steele
Davidoff, over there is so cool. I haven’t
met him in person yet. He’s based in California
and is supposed to come to my show in Long Beach. I
called him about my new album cover. I said, “They
want me to wear a white suit. What do you have in white?” He
said “I’ve got something. When do you need
it?” “Well the shoot is in two days!” He
said, “I’ll Fed Ex it to you.” Cool! They
are right on target. The clothes just look so good and go
so well. And they know I love shoes. I can hear them
saying, “We better get him some shoes, because he will
be crazy if he doesn’t have the right shoes on!” (laughs)
I’m waiting for them to start making underwear. Then
I would be dressed Stacy Adams all the way. (laughs)
SV: There are some people I have to ask
about because they are so important in your career. One
is Hollywood Dave [Dave Hiltebrand, Nick’s music
director]. It looks like he played a really important
role in this new record because the liner notes list all
the instruments he plays and songs he wrote with you. WOW!
He is so versatile.
NC: Dave is an all-around musician.
He is a very accomplished piano player. Piano was his
first instrument. He didn’t start playing bass until
later. His Dad’s a great pianist too. I’ll
tell Dave, “You know, I’ve got this song. I’m
going to MP3 it to you. I want you to listen to it. Tell
me do you think I should go on with it.” He’ll
listen to it and say, “I think we could do something
with this.” “Well, why don’t you
come out and let’s see what we can work out.” He’ll
come over. We’ll start the day out with two dozen
Krispy Kremes. Krispy Kreme glazed donut stuff all
over everywhere. (laughs) I tell him, “Every
time you leave, I’ve got to clean up.” Anyway,
we sit and listen and start playing with sounds. I
love writing with Dave because when I have ideas, sometimes
I don’t know exactly where I’m going. He
tends to know where I need to go. “Well, what do you
think of this?” And sometimes he’ll come
up with something crazier, “No, you can forget that. Let’s
go and try something else.” Dave’s
not only my music director and writing partner, Dave Hiltebrand
is actually my best friend. He’s been with me
nine years. One day I told him, “You’ve been
with me nine years! That’s a long time for two
cats to be playing together.” And he said, “You
know when I first came to play with you? In Milwaukee at
the Red Mill.” His first gig with me was
at the Red Mill in Milwaukee. It was so funny; he only had
half a rehearsal when he came for the gig. Lou Rawls
was sitting in the audience. I kept calling him from the
back. “Come on up here with me.” He was trying
to stay back there and he was cracking me up. Not so long
ago, he said to me, “You know, you’re the only
person I’ve ever played with who has done everything
you said you were going to do.” I said, “Well,
you know, you’ve got to believe in yourself. And
you’ve got to make sacrifices to get where you want
to go.” I make the sacrifice to do it, I’ll
go out there and do what I need to do because I have goals
in mind. So I said to him, “You can play with
me until you just don’t want to play any more. You
aren’t going anywhere and if you want to leave, but
I’ll hold on and not let go.” (laughs) We
hang out together. Carol teases me, “If you get
to a gig the day before the band, man, you just mope, mope
mope! As soon as Dave comes in the door, you start
smiling. It’s like ‘Everything is all right now,
Dave is here.’ ” That’s how I feel. When
I see Dave, I say “OK, Dave is here. OK, I’m
cool now.” Dave has a way about him, a very easy
going way. I remember one time, everything about a
certain gig was going wrong. Our flights were late; they
didn’t have some of the back line. I said “Man!
Everything is going wrong. We’ve got Murphy’s
Law today.” Dave looked at me and said “All
that means is that we’re going to have a really great
show today.” It was one of our best performances.
(laughs)
He’s a good cat.
SV: I cannot leave this conversation until
we get a chance to talk about the importance of Carol in
your life [Carol Ray, Nick’s manager and business
partner].
NC: Carol…I don’t even
know where to begin with Carol. There are a lot of
great managers out there. I meet them and respect them. But
I’ve never known a person who had such faith in another
person’s ability and talents. It was that way
from the beginning. Carol believed in me; she didn’t
just say she believed in me, she showed me she believed
in me. When she worked for Motorola she made lots of sacrifices
to get me to where I was trying to get to. She finally
said “Look, I could get you farther if I’m not
working another job.” And when she stopped working
there, she just really got on it. She was like BANG!
BANG! BANG! I notice now when we’re on the road, other
artists and other managers, they all have this respect for
her. Although people think you are some kind of overnight
success - even though you’ve been playing like 700
years - they know that part of who I am is because of her,
her belief, her consistency. To keep pushing and pushing. Sometimes
she had to push me. I remember years ago one time I
called up and said, “I think I’m going to sell
all my equipment and just stop because it’s not going
anywhere. I’m tired of just playing around Chicago.” You
know, as a musician, you get frustrated. You say, “It’s
not happening for me.” Finally, it clicked. She
can be very relentless. When you have a manager that
believes in you like that, you not only don’t want
to disappoint yourself, you don’t want to disappoint
that person. Other artists and their managers don’t
necessarily travel together as much as Carol and I do. People
say “Man, she’s everywhere with him.” Well,
this is the way we are. We’re a team. We work
together. When I’m up on the stage, I’m watching
her. She’s giving me cues, and letting me know
if I am too loud, or if she can’t hear me. She’s
back at the sound man saying “Hey! Turn him up!” If
I look at her and she just has this certain look on her face,
I’ll tell myself, “I must be on tonight
cuz she’s got that look!” (laughs) I try
to live up to it. For a long time, we didn’t
have a booking agent. She played all the parts. She’s
trying to sell me. I’ve got to live up to what
she’s telling people. If she is saying, “Nick
can jump off a roof.” Well then, I’ve got to
go practice jumping off a roof so that I can land right. I
know she’s out there telling people “Nick can
do this. Nick can do that.” She says, “I know you
can do this.” Some of the things, well, I don’t
know if I can do that! (laughs) “Yeah you can!” I
think that is part of being a great manager, to be like a
trainer, to let your artist know that they can excel; they
can do things beyond what they think they can do. She’s
always had that encouragement and that ability to just pull
me up when I’m down. I’ve had other managers
come at me, big ol’ managers talk to me. You
know what, Carol says things like, “It’s been
my goal to get you all the way up. Maybe a bigger
management company might be able to take you farther.” You
know what, we went this far together. I don’t
need a bigger management company. Wherever I go, we’re
going together. They can’t offer me more than what
you can do. And then I’d just be part of a big
roster without the personal relationship.
SV: It’s such a gift to have someone
like that in your life, someone that pushes you beyond
your own limitations. You have such a fantastic team.
NC: I was lucky to get the people
that work with me. They all seem to be very relentless,
like Tom and Christine Clark, our marketing and promotions
team. They don’t take “No.” They’ll
beat you down until you say “Maybe.” Carrie
is so bubbly and keeps that fan club going strong. Our tour
manager, Dolores, is out there with the cats in the band. Carol
says, “Getting musicians in one place is like herding
cats.” So, Dolores has to run back and forth to get
this one and that one. You know, it’s time to
go on stage and somebody feels like they need a hot dog.
She’s got to go find them. My booking agent is
Steve Butler and he does a great job. He’s young
and not afraid to hustle, plus he’s got a great sense
of humor which helps when you’re working with me! I
feel real fortunate to have the team I’ve got. The
most important thing is they all believe in what we’re
doing. That’s the most important thing. You can’t
sell anything if you don’t believe in it. They
were all happy when they heard the project. Cool! Well,
that’s a couple of record sales from the team. (laughing)
SV: (laughing)
NC: I have fun doing all this.
SV: It has been a blast talking with you
today. Any last words to your fans?
NC: I would like to ask everyone who
reads this to, please, let’s try to put an end to breast
cancer. Support this cause. Too many women I
know and love, and that you know and love, have been affected.
We need to stop it. I ask you to find a way to support research
so it can be stopped. Remember, there are no limits
to what we can do if we pull together. Thank you.
SV: Thank you so much for being so generous
with your heart today. We truly appreciate and enjoy spending
time with you.